Urban Dwellings: A Day in the Life as an Ivy Interior Designer

 

Principal Designer Tracy Davis and the talented team behind Ivy design firm, Urban Dwellings, walk us through their day in the life as a design firm in beautiful Portland, Maine during their busiest time of year. From early morning meetings and drafting spaces to selecting finishes from their resources library and saluting their local UPS and FedEx guys, Urban Dwellings gets their hands dirty in design and we simply can’t look away!

Photography courtesy of Urban Dwellings @urbandwellings_thestore


With a clear slate and rested mind, we prefer to start our day with a client meeting! Seen here, we’re drafting up ideas for a lakeside boutique hotel. Summer is our busiest time of year, and with that brings a day full of site visits, material sourcing, floor plans and furniture selections. Follow along today during our #IvyxUrbanDwellings feature to see how we spend our day as a design firm in Portland, Maine. And of course, we would like to thank Ivy for making our lives a bit more organized, we wouldn’t be able to function without their design management software! #IvyxUrbanDwellings

After a successful client meeting, we jump back into studio life, drafting up space plans for our next meeting of the day! Trace paper can be found in every nook and cranny of our office, along with drafting dots and red pens. Design is a process, and we still believe the hand can work faster than the mouse! #IvyxUrbanDwellings

One of our favorite aspects of being an interior designer is selecting the finishes for each project. All the soft tones and textures of the season are on display in our resource library, and we’re excited to put them in our projects. The summer months in Maine are the ideal time for building, so we’ll have to wait until the fall to see the finished product… #IvyxUrbanDwellings

Our UPS and FedEx guys are our best friends (although sometimes we think its a one-way love affair, depending on how heavy the boxes are….). By mid-day, our office is bursting with new deliveries. Hopefully we’ll bring them to their job site soon, or else Morgan (our lovely store and project manager) will be out of a desk! #IvyxUrbanDwellings

We’re ending our #IvyxUrbanDwellings takeover with a few shots of our store. As a mixed-use space, we utilize our storefront as a small shop (our studio and meeting space is in the back). Playing host to our favorite home decor pieces, the store is always rotating new items that we find during our travels. If you’re ever visiting Portland, Maine, make the trek up ‘The Hill’ on the East End- we would love to meet you! If you want to continue to see what we’re up to, follow us @urbandwellings_thestore. TGIF!???


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What You Need to Know About Dallas Total Home & Gift Market 2017

 

Total Home & Gift Market 2017 in Dallas will be providing the interior design community with a record number of new showrooms and special events across the 5 million square foot marketplace to dazzle talented interior designers across the globe. This premier destination for connecting retailers and manufacturers is one of the leadings platforms for interior designers to discover the latest trends, new vendors and network with industry influencers.

The Dallas Market Center is the largest design center in the United States, entering thousands of interior designers to international trade events such as Total Home & Gift Market, as well as more than 2,000 members of the design community monthly to visit showrooms. Here’s everything you need to know about Total Home & Gift Market 2017 to make sure you don’t miss a thing.

Photo via Dallas Market Center


Mark Your Calendars For These Special Events & Tours

Elle Decor Reception – Wednesday, June 21

The Interior Home + Design Center will debut with a gala private reception hosted by Dallas Market Center and title sponsor ELLE DECOR. Invited guests will enjoy food & beverage and tunes by DJ Brandon Olds. A variety of individual showrooms inside the center will also be putting on special events in celebration of Dallas Market 2017.


A Day of Education for Interior Designers – Thursday, June 22

The Interior Home + Design Center will present a Day of Education aimed towards interior designers and retailers looking for inspiration and insights from design leaders. Make sure to catch the following:

James Swan Million Dollar Decorating | Live Podcast Recording

Award-Winning Designer, Author and podcast host will host Greg O’Neal, Chief Collaboration Officer for Cur8.

10am | WTC 1 – ATRIUM

Three Divas of Design Panel: Robin Baron, Michelle Nussbaumer & Nancy Price, moderated by James Swan

A thoroughly entertaining A-List panel discussing all things design, followed by Michelle Nussbaumer’s book signing of Wanderlust: Interiors That Bring The World Home.

11am | IHDC 1

Hermes Mallea Discussing His Book Great Houses of Havana

Introduced by Beatriz Ball, Cuban designed Hermes Mallea will discuss his new book which covers Cuba’s rich history of unique architecture, followed by his book signing.

12pm | IHDC 1 

The 9, 10 & 11 Progressive Party

This unique event will take you through floors 9, 10 & 11 of the World Trade Center exploring home accents, lighting and furniture in 45-minute increments complimented by decade-themed music, food & beverage and giveaways.

2pm | WTC 9, 10, 11


Guided Walking Tours by Retail Guru Rawlins Gilliland – Friday, June 23

Discovery Tour with Rawlins: Unexpected Décor & Gift Items 

10am |WTC 6 Home Temps

Discovery Tour with Rawlins: Newer Gift & Décor Items

2pm |WTC 1 Atrium Fountain

You can find the full list of Dallas Market calendar events here. You can also browse through the first-ever official guide created by Dallas Market. Exhibitors will be hosting events and promotions of their own, check them out here for access to special deals and events.


Download the DMC Mobile App in Advance

Be sure to download the latest version of the Dallas Market app to help your navigate market with the latest info. on product, exhibitors, news and events.

Download here.

DMC Mobile App

Dallas Market Center


Top 10 Hashtags to Use at Dallas Market

  1. #maketimefordesign
  2. #dallasmarket
  3. #dallasmarket2017
  4. #dallasmarketcenter
  5. #dallasdfw
  6. #moreindallas
  7. #interiordesign
  8. #interiordesigner
  9. #interiordesignermoments
  10. #lifeofaninteriordesigner

Can’t Attend? No Worries!

You can catch live coverage of Dallas Market events, exclusive interviews and more on Dallas Market Center’s Facebook page and on monitors across campus. Make sure to review the DMC TV schedule of live coverage below.


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What a Client Expects From Their Interior Designer

 

The rapport between an interior designer and their client is filled with intricate details and nuances. With billing, designing, shopping, and every other task, all while trying to maintain a healthy relationship, can sound daunting at times. If only we knew what clients really wanted…well, I recently have found myself able to answer this question. With my own brother and his wife newly doting in a relationship with their interior designer, I decided to tap into their design affair and give you a peek into the unobstructed viewpoint of the client. More specifically, to answer the question: “what do clients expect from their interior designer?”

The client process of picking a designer can be simplified into a simple four-piece equation.


Price: The first and most basic element for why any client chooses their designer is price. Every client wants a designer in their price range, and every designer wants their client to be vocal about their budget. As the designer, try and minimize the headache in the budgeting process by being as upfront as possible with your costs from the get go. Being clear with everything budget-wise on both ends of the client/designer equation can directly lead to better client relationships and makes for an easy transition from talking logistics to actually designing.

In talking about the finances of the relationship, billing must be mentioned. Making transactions consistent and easy to pay will subdue any feelings of being overwhelmed on the client side, therefore keeping the relationship happy, healthy, and productive. Start requesting digital payments from your clients! According to a study conducted by Capital One, small businesses who accepted digital payments saw increased customer satisfaction of 73%, improved customer service of 69%, and increased sales of 68%. If you can offer your clients a way to pay you online, chances are, you’re going to get paid much faster.

Portfolio: After budgeting and prices have been established, the next element in the equation is style. By reviewing portfolios and historical work, clients are able to see that you have a similar sense of style to what they see for themselves. The best way to capitalize on this step is to ensure that your past projects are easy to access and up to date. The fundamental tool you should always be utilizing to keep your portfolio polished and fresh is professional photography. Though some may see this as just an extra expense, it makes a large difference to possible clients. Your photos are the key source for potential clients to see your talent and expertise why wouldn’t you want to look your best? After all, your portfolio is your digital business card. Lastly, to optimize your portfolio, try and include variety from your past projects. Not only will this help clients visualize your work in their own space, but it will also better highlight your signature aesthetic in numerous settings, whether it’s minimalist, rustic, bold, or anything in-between.

Personality: Like any good relationship, there needs to be chemistry. Most clients are aware that they will be investing a significant amount of time and, more importantly, a fair share of faith and trust into their designer. Therefore, it’s important that clients find someone with whom they vibe with, a designer with a personality and work habits similar to theirs. In my brother’s case, they looked for a designer who could take the reigns throughout the project. Specifically, he mentioned that their designer held a “real point of view,” which he noted was a main reason why they hired her. “She challenges us to take leaps of faith here and there.” Don’t be afraid to exhibit your confidence and a bit of assertiveness with your suggestions; sometimes clients just need that small push from their designer to go out of their comfort zones.

Personalization: The final piece of the designer/client equation is personalization. This is when a designer goes out of their way to truly understand the client’s needs and lifestyle, and how they can best tailor the space for a better life. By going into a client’s home and learning about their life, passions, and future goals, designers can redefine the project in terms of the needs and wants of the client. No two clients are identical, and no two projects should be either. To surpass this test, a designer must be adept to seek out the desires of the client and bringing them to fruition.


And that’s it! The simple four-piece equation of what a client wants: price, portfolio, personality and personalization. By keeping each of these elements in mind when acquiring new clientele, you can better cater to a multitude of clients and households. Make sure to never sacrifice the valuation of your work, your individual aesthetic, or your personality. Instead, be proactive with each step in the equation and show that you are the only professional that can deliver everything your client has been looking for.

Written by Shai Wallach

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Exploring Avant Garde Textile & Wallpaper Design with San Francisco-Based elworthy studio

 

Kate Miller is the talented designer and artist behind San Francisco-based elworthy studio, creating nonconformist, environmentally-conscious textiles and wallpapers. She’s known for her earthy color palette and avant garde designs, inspired by natural beauty and urban grit.

Kate has diverse experience in design and retail, an eye for style, and a unique ability to predict what’s next. Eager to explore an artistic outlet to express her creativity, she left the fashion industry to pursue her studies in textile design, opening her world. Kate shares her inspiration behind elworthy studio designs, the design scene in San Francisco, and tips on how to source the right wallpaper & fabric for a space.


Kate – how did you get where you are today?

I first gained experience working for two very different retail fashion companies; a large, established corporation (Bloomingdale’s) and a small but rapidly growing start-up (Indochino). Working for these companies on the opposite ends of the spectrum gave me a great business education while allowing me to develop my personal style and aesthetic.

During my time at Indochino, I ended up managing the fashion and textile designers and discovered my love for textile design! I went back to school for textile design to hone my technical skills, and once I had the skills I needed, I made the decision to launch elworthy studio.

elworthy studio

Gina Benedetti

elworthy studio produces nonconformist wallpapers and fabrics…which techniques, materials and palettes do you like to use and why?

I take an experimental approach to designing, exploring a variety of fine art and craft processes and applying them to textile/wallcovering design.  I have one collection that was created by dyeing fabric with rusted objects, and another that was based entirely on original prints I made using alternative photography.

I’m drawn to earthy palettes for sure, and by that, I most definitely do NOT mean shades of beige and brown. I absolutely love color and feature it prominently in my designs, but the colors I choose are typically softer and less saturated. That said, I was recently craving some bolder hues so I introduced a new design in two colorways that are quite bright!

“San Francisco has such a great juxtaposition of natural beauty and urban grit, and that opposition served as a muse for the past collections.”

elworthy studio

Gina Benedetti

All pieces in your collection are made-to-order using environmentally responsible production practices…what’s your creative process like from idea to finish? 

I’ve been lucky in that I don’t have to look hard for inspiration…it usually strikes me in a sudden and profound way!  Once I have a source of inspiration, I connect it with a process. In the past, the processes were rust-dyeing and alternative photography. Lately, I’ve reconnected with my painterly side and am working with mark-making and printmaking techniques. I let intuition guide me during this tactile part of the process, keeping it loose and experimental (rather than getting fixated on what I want the finished designs or collection to “look” like).  I usually create a large body of work, then edit and refine what I feel are the best design ideas.

Once I’ve created a design by hand, I scan it and turn to digital techniques to create the finished repeat prints and various colorways. From there, I send the files out to my suppliers to start the sampling process. This can take a while, especially getting the color just right! Once the samples are approved, it is ready to go into production.

“I let intuition guide me during this tactile part of the process, keeping it loose and experimental.”

elworthy studio

Gina Benedetti

What are the modern day textile and wallpaper trends you are into right now?

I am currently really loving textured fabrics and wall coverings…embroidery, beading and leather. Digital printing is the best fit for my designs and business right now, but it is inspiring to see the possibilities of layering and creating three dimensional decor…maybe in the future!

elworthy studio

Gina Benedetti

Can you name some spaces featuring elworthy studio textiles/wallpaper that you are particularly proud of?

We just installed wallpaper on two feature walls in our new home, so I am pretty psyched about those! Another favorite installation is a Bay Area workspace that features my wallpaper, textiles, and some original photographic prints from my Clair Obscur collection.

elworthy studio

Ken Gutmaker

How do you use the city of San Francisco as a source of inspiration?

San Francisco has such a great juxtaposition of natural beauty and urban grit, and that opposition served as a muse for the past collections. My husband and I moved down the coast to Half Moon Bay a few months ago so now I have a new muse!  The landscapes and native plants of this area are my current inspiration.

What’s the design scene like in San Francisco?

Super supportive. There aren’t a ton of other textile/wallpaper designers in SF but I’ve gotten to know a few. We are always happy to help each other or serve as a sounding board…it’s really nice to be part of a community that is about supporting each other rather than competing!

I’ve also gotten to know many interior designers who really like sourcing local products for their clients (and it seems like more clients are shifting towards featuring local art and design in their homes, yay!).

elworthy studio

Ken Gutmaker

Who are some local interior designers you like to work with?

Ahh, so many!  I love the Bay Area designers.  Special mention to Evars + Anderson…I’ve done a bunch of projects with them including a collaboration for their new furniture line Moxiemade. They are great to work with – talented, fun, and smart. And still many more that I’m dying to work with (I’m looking at you Kristen Pena)!

elworthy studio

Gina Benedetti

How do you typically work with interior designers?

My line is usually shown to designers by my Showrooms or road reps, so I don’t always get to interact with designers. That said, I’ve done many presentations for design firms or had designers come to me for studio visits.  Those opportunities are a treat…I love meeting my clients face-to-face and sharing my process with them.

elworthy studio

Gina Benedetti

What are 3 tips of “best practices” you can offer interior designers for choosing the right textile or wallpaper for a space?

1. Consider scale. I love rooms with layered pattern, but this works best when you include prints of different scales.  We can easily customize the scale of our prints to suit your project.

2. Feature walls! I get so many wallpaper orders for powder rooms and laundry rooms. This tells me that people love pattern but are afraid to go big. Feature walls are the perfect middle ground here – one wallpapered wall behind a dining room table or bed can have the same transformative effect on a space and serve double duty as artwork. Ceilings are also a great place to add color and pattern without committing to full room wallpaper.

3. Try custom. So many artisan brands, including elworthy studio, are happy to collaborate with designers to create something bespoke. Many of our designs can be printed in custom colors and it’s as simple as sending us a paint color or Pantone reference! We can also create a custom design from scratch.

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Behind the Design: Rachel Madden of Rachel Madden Interiors


Designer Spotlight: Rachel Madden of Rachel Madden Interiors – Marin County, CA


How did you get where you are today?

I guess like anyone who is passionate about their work – lots of hard work, long hours, a few things that went wrong, and thankfully, a few more things that went right! I’m from California, and after graduating with a degree in interior design, I landed a great job in NYC at an architecture + interiors firm that focused on both high-end residential, retail and restaurants. I spent 4 years absorbing the ins and outs of the design business, and then the sky fell in 2008. My job was cut and my meals went from meat and 3 vegetables to rice and beans! I was determined to stay in NY, but there were no jobs, so I started my own interior design business. I didn’t know it at the time, however, that period really set in motion numerous events which led me to where I am today for which I am incredibly grateful. There’s a saying, “Life begins at the end of your comfort zone”, and it couldn’t have been more true for me. 

 
Unlike many designers, there was never any career change for me. Ever since I was 13, I have a memory burnt into my mind of a living room of…let’s call her “Aunt X” (name withheld for my protection!). I remember sitting in that dark, fifty shades of brown room and thinking something was missing. I realized the impact my surroundings had on me and their ability to enhance or diminish experiences and connections with people. So ever since then, it’s been a burning passion to use design to enhance my own and my clients’ surroundings.
“Interior design is never just about style and beauty – it’s also about making a home function so you can live your best life.”
Rachel Madden Interiors

Helynn Ospina

 
 
Rachel Madden Interiors is known for mixing classic elements with contemporary lines and natural materials to create distinctive spaces that are understated, yet elegant. What are the colors, textures and materials you like to use to achieve this look and feel? 
I like to use neutrals with hints of soft, muted colors. I layer in textures and pattern to create visual interest and incorporate natural materials to make things feel more grounded, which in turn balances out the light and airy softness of the color palate. In a great room that I designed recently, you can find hemp, teak, oak, stone, rattan, abaca, mohair, silk, linen and raffia. All of these natural materials make the space feel alive and give it amazing texture.
Rachel Madden Interiors

Helynn Ospina

Who are your favorite local vendors, shops and people of the trade?
Rachel Madden Interiors

Helynn Ospina

 
How do you design for today’s modern family?
Young families nowadays are less traditional and prefer casual and comfortable to refined and embellished. In part, this is a cultural shift, and also due to the change in how homes are now laid out. With the growing trend of open concept homes, the formal living and dining rooms have become obsolete in many cases. The great room has become the place where we live our everyday lives, as well as the place we entertain our guests and ourselves. These spaces need to be functional and livable, but elegant and beautiful as well.
Not every project is the same and there is no one size approach that fits all. It’s important to define success with the client from their perspective. I’ve seen too many designers get stuck in their own head and lose sight of what’s important to the client, with disastrous consequences. I think most clients know internally what they like and dislike, and using my experience of dealing with hundreds of vendors, I translate that into the design. At the heart of my approach is answering the question “How can I enrich your lives through design?”. To do this, I understand what types of lives they live and what’s important to them. Maybe it’s a busy extracurricular schedule that inspires a well thought out mud room to collect soccer shoes and backpacks. Perhaps a client’s goal is to have the kids spend more time on homework, so we design an inspiring homework area. Or maybe, mom wants more conversation, so we design the living room furniture layout so it inspires connection. Interior design is never just about style and beauty – it’s also about making a home function so you can live your best life.
Rachel Madden Interiors

David Livingston

 
What are some of your tricks for designing gender neutral rooms?
I like to keep the color palate neutral and use a few splashes of color both genders can agree on. These are usually earthy colors like blues, yellows, and greens. I like to juxtapose clean lined furniture for him with an elegant pillow fabric for her. When there is a fabric with a high sheen, for example, I make sure it’s a gender neutral color and that the pattern is not too ornate and curvy. Balance is key here. Overall, I avoid frilly details and embellishments, use clean lines in furniture and patterns, and choose structural looking plants over feminine flower arrangements.
Rachel Madden Interiors

David Livingston

 
How does designing make you feel? 
It makes me feel lucky and incredibly grateful. When we are all young, we have dreams of what we want to do based off what we love, and then college and paying bills happens and lots of us find ourselves in careers that are not fulfilling. My feeling is your career should be an extension of who you are as a person and allow you to express yourself in whatever way that fulfills you. For me, it’s so satisfying, creatively, to design something in your mind and then make it a reality in the world. To see how design sparks joy in others and how it’s able to enhance a family’s life is the best part of it all. I love checking back in with my clients and seeing the pride they now have in their home and hearing about how it’s helped them connect, entertain and feel more organized.
“A beautiful, thoughtfully designed space is an underestimated force in our lives and plays a large part in how we think, feel and do.”
Rachel Madden Interiors

Helynn Ospina

 
What’s your business mantra? 
“What is done in love is done well.”. This is my personal mantra. 
And the message I want to get across to my clients: Bring the ambience home. Great ambience shouldn’t just be reserved for restaurants and holidays. A beautiful, thoughtfully designed space is an underestimated force in our lives and plays a large part in how we think, feel and do.
Rachel Madden Interiors

David Livingston

Who did your website design…it’s so airy and beautiful! 
I love the bright and airy photography of Alyssa Rosenheck. When I found out she did website design (A Branding Co.), I instantly knew she would get me and create that bright and airy look that I love.
Rachel Madden Interiors

Website Design by A Branding Co. (Alyssa Rosenheck)

 
Your portfolio is stunning…who are your go-to photographers and what tips do they give you to make the most out of your photoshoots?
Why thank you! So I use Helynn Ospina and David Livingston. Helynn advised that I bring in lots of flowers and plants so we would have lots of options to play with. This was a great suggestion. She was very meticulous and made sure every last detail was as it should be. David advised me to get many different accessories for the shoot. As many designers know, what looks good in person sometimes needs finessing for the camera. David does a great job helping style for the photo.
Rachel Madden Interiors

David Livingston

 
You also have quite the eye for social media…how much time do you allocate to social media, email/newsletter marketing and content marketing?
I spend about 30 minutes a day in total on social media. I like to think of it as a window into my firm and how we think. When I post a photo, I like to talk about the thought involved in creating that particular space. It gives people a look into our methodology and an understanding that there is a thoughtfulness and intention behind our designs and we are not just picking pretty things that go together.
Rachel Madden Interiors

@rachelmaddeninteriors

Why did you join Ivy?
I joined Ivy because I needed a resource to maximize my time and be more efficient. As designers, we wear so many hats and juggle so many things. We get to design about 20% of the time, but the other 80% is spent running our business and managing projects. I was ready for an upgrade that would help streamline my processes and give me more time to do what I love, the designing!
Rachel Madden Interiors

David Livingston

 
What have you learned from the Ivy Designer Network?
I have learned so much. We have designers in this network that have 20+ years of experience and their knowledge is invaluable. People are asking questions daily and each thread gets about 20-100 responses. Thread topics have included discussing vendors, best billing practices, contracts, best business podcasts and books to read, installation issues, challenges with contractors, and more. The community and coaching going on in this group is reason enough to join Ivy.
Rachel Madden Interiors

David Livingston

 
How does Ivy help streamline your day-to-day workflow as an interior designer? 
It allows me to create a digital presentation for my clients that can be approved, by item, and then paid right there. It allows for the whole process of client approval and payment to move much quicker and I love that.
“We get to design about 20% of the time, but the other 80% is spent running our business and managing projects.”
Rachel Madden Interiors

Helynn Ospina

 
What’s an Ivy feature you can’t live without?
The proposal, line items, grouping of items, and pay feature. Invaluable!
Rachel Madden Interiors

David Livingston

 
 
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What Interior Designers Should Consider When Going Custom

 

There is nothing quite like ordering the perfect custom light fixture for a kitchen, the most distinct and unique rug, or a tiling pattern unlike anything else. Whether it’s your vision that pushes you to go custom, or the desires of a client, custom-ordering goods comes with its own special satisfaction. However, as enjoyable as custom-ordering may be, where does the trade-off between customization and sensibility reach a tipping point? Here’s an easy-to-follow guide for the next time you’re making  the decision between custom or pre-made.

Written by Shai Wallach


Budget and Goals

The number one restriction for any custom-order is obviously the budget you are given to work with. By being realistic and upfront with your clientele regarding their limits, you can save the pain of letting them down on their fantasy of custom drapery later on. As much as a client may push for a custom order, the trade-off between budget and customization must be evaluated. That being said, there can always be the case where ordering custom is the best decision. This is when the client is prepared to sacrifice their budget in some areas in order to afford specialization, so be sure to go through priorities and goals with your clients beforehand to accommodate.

Existing Products

Rather than spending the time and effort trying to find something similar to your inspiration photo, try going with the photo itself! If a specific product or something similar already exists in the market and is easily accessible for you to order, you might as well save your client the money (and yourself the timely logistics  of ordering custom) and go with the pre-made version.

Feather’s Fine Home Furnishings, Photographed by Gina Zee Photography

Timing

One of the factors that must be addressed in the event of a custom order is timing. Since it is a given that a custom order will probably take longer than ordering a similar but pre-made good, you should evaluate the timing of your project. If the order time for custom isn’t feasible for the project, you may be better off going a different route and saving yourself the scramble of getting the project completed on time.  

Want Unique? Go Vintage!

If your client is insistent on exclusive and unique furnishings while straying as far away from Pottery Barn as possible, try going vintage! You will still be able to provide the rare and particular feel your client wants, but for a far better price. Plus, you’ll score your client major points for owning something with rich character and a possible backstory. Some of our favorite online destinations for sourcing one-of-a-kind items are Chairish, Viyet, 1stdibs, Everything But The House and One Kings Lane.

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Reviving the Art of the Loom with Merida

 

When you think of beautiful, durable rugs, you think of heritage brand Merida, manufacturing from the historic textile center of Fall River, MA for 30 years. Merida is reimagining traditional weaving methods at the source, using inventive techniques and efficient technologies, providing exceptional service and value to interior designers along the way.

As Merida continues to expand on their portfolio producing products with outstanding craftsmanship and material integrity, they hope to grow awareness around the importance of purchasing products of quality that honor the real makers and materials. In doing so, as supporters of American Made products, we can continue to make a positive impact in communities where we do business.


Why did Merida make the decision to manufacture in Fall River, Massachusetts? 

We knew it would be challenging to manufacture in the US, but we believed the market was ready for beautiful, high-quality products made by expert craftspeople. Fall River had the people and skills to deliver on that. Today, our 40,000 square-foot workshop hums to the rhythms of heritage and modern looms at work.

Additionally, we have studios in LA and Boston, an office in New York, and team members available from coast to coast. We need to be able to collaborate with clients in person, so we can’t just operate in one state.

Merida Studio

Merida Studio

Merida continues to source and test new materials, techniques and construction to create beautiful, durable and timeless collections. What materials and techniques is Merida currently using?

We’re constantly exploring new fibers and different textures of yarn, natural plant fibers, weaving techniques and design constructions. As a design manufacturing company that believes in utilizing the best parts of hand and machine, we are constantly finding ways to innovate the opportunities of the loom with the intimacy of hand weaving, seaming, and finishing. As we build our yarn library, there’s a lot of tactility to be explored. Right now, we may explore bringing the more textural mohair yarn further in future collections.

Merida Studio

Merida Studio

How do you typically work with interior designers?

At Merida, we look forward to collaborating with designers from the very beginning of their projects all the way through installation. Because all of our rugs are made to order, we encourage designers to come to us at the very start of their project so we can guide them to finding the essential elements that will enhance their design presentations to clients. We invite interior designers to visit us at our studios, located in LA, NY, or Boston or to connect with our Merida team all over the country to tap our textile expertise and help us bring your vision to life.

Merida Studio

Janet Mesic Mackie

Can you offer interior designers 3 tips of best practices for choosing the right rug for a client’s space?

1. Focus On Durability For Areas With Heavy Foot Traffic – When it comes to stairs, highly trafficked residential and commercial areas, or family rooms, we know what rugs will not only endure but look even better with time.

2. Consider Style & Maintenance For Rooms Where Family And Friends Congregate – When it comes to areas that you spend the most time entertaining in—living rooms, family rooms and dens—rugs that are comfy yet easier to clean are the best bet.  

3. Focus On Luxury In The Bedroom – Bedrooms require a softer touch, and our tufted rugs for example hybridize a cushy feel with a look of luxury. There are a lot of style options with wool tufted rugs, and they are a bit more welcoming to the feet than other natural fiber options.

Merida Studio

Shawn Litchfield

How do Merida’s trade customization tools, look books and textile expertise enhance interior designers’ design practice?

Combined with Merida’s knowledgeable employees and craftsmen, the value we can add to a project is measured not only in quality but in the time we save our clients. From handling measurements, interpreting drawings, creating a product layout that will utilize the least amount of material, and working with your design firm to sync the installation with your project schedule, we take care of all the details. When sourcing materials, we choose only the most durable fibers and we test all our products for wear, both for traffic and for stairs. We will never recommend a product that won’t last for years. In fact, our products are designed to get better with time.

Merida Studio

Janet Mesic Mackie

Merida Studio

Merida Studio

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Building Innovative & Nomadic Furniture With Burrow

 

For many years, the high-end furniture industry has been at a shocking standstill due to the glacial pace of production lead times with heavy prices. Because of that, consumers have settled for low quality pieces that they buy in parts, regretfully needing to put together on their own, only to then get rid of at a later date because this piece doesn’t fit into any other space. Nowadays, it’s the responsibility of the interior designer to think ahead for their clients and source furniture that they know will last for more than one home.

Enter Burrow, a brand building clever, comfortable furniture suitable for the modern nomadic lifestyle using safe and environmentally-friendly components that are suited for a lifetime of living rooms. Burrow’s innovative, modular design maintains the premium craftsmanship and quality of high-end sofas with cost-efficient shipping and 10-minute tool-free assembly. Burrow Co-Founder Stephen Kuhl shares what interior designers should consider when choosing a sofa, his take on the modern function of the sofa, and what’s next for Burrow.


What’s Burrow all about in 140 characters or less?

Burrow is an eCommerce brand that offers luxury couches and a superior couch-buying experience for half the cost of comparable high-end retailers.

Burrow

Burrow

Burrow moved their HQ from Philadelphia to NYC – what’s the design scene like in NYC? 

While Burrow was conceptualized in Philly while our founders were earning their MBAs from The Wharton School, we’re actually now based in the Flatiron neighborhood of NYC where the design scene is as vibrant, inventive, and energetic as it’s ever been. And, the hallways and stairwells are still as narrow and daunting as they’ve ever been, which is why Burrow’s innovative, collapsible design makes it the perfect fit for the New York market and other thriving metropolitan cities.

“Thorough research and analysis made it clear that high-end sofas were expensive primarily because of one reason: logistics.”

Based on your knowledge of the industry, why are interior designers and consumers more comfortable buying sofas and other home goods online?

The high-end furniture industry has been remarkably stagnant for decades and consumers have been reluctantly compliant with its stagnancy because there has never been a great alternative. It’s largely been either (1) deal with the marathon-like lead times and wallet-emptying prices of the high-end market, or (2) settle for a pile of particle board from a low-end flat pack provider that requires three hours and a trip to the ICU to assemble. So, people stroll up and down the aisles of these high-end furniture retailers eventually succumbing and footing the bill for the exorbitant overhead and shipping costs that they incur.

Burrow

Burrow

However – like with clothes, and then eyeglasses, and then mattresses – newcomers are challenging conventions in antiquated industries historically dominated by a few big players. By democratizing the purchase process in parallel with the supply chain, Burrow – like Bonobos, Warby Parker, and Casper before us – is lifting the curtain on a whole new experience catering to the modern consumer. Today’s consumer, influenced by the fulfillment speed of Amazon and the on-demand satisfaction of Uber, doesn’t want to wait, doesn’t want to pay for inefficiency, has less and less apprehension about buying bigger, more valuable products online and, frankly, doesn’t want a crappy product. That’s why we designed the Burrow sofa.

In order to meet the demands of the modern consumer, we had to do a deep engineering dive. Thorough research and analysis made it clear that high-end sofas were expensive primarily because of one reason: logistics. Shipping a bulky piece of furniture between suppliers, manufacturers, warehouses, retailers, and customers tacked on several hundred dollars during each step. On the other end of the spectrum, Ikea minimized the shipping weight and dimensions in order to cut these costs, but ultimately lost out on material quality and customer assembly experience. Burrow’s innovative, modular design maintains the premium quality and craftsmanship of high-end sofas while compartmentalizing the design just enough to use cost-efficient standard shipping and still retain an unbelievably quick and painless 10-minute tool-free assembly experience.

“People are now sitting, eating, studying, working, Netflix binging, and sleeping on their sofas. People need a sofa that can stand up to that kind of use, while still being both stylish and comfortable. At Burrow, our mission is to give them just that.”

 

Which materials and components does Burrow use and why?

Providing premium quality and craftsmanship while minimizing our environmental impact has always been at the forefront of our mission as a company. That’s why we use sustainably-sourced hardwoods, chemical-free naturally stain-resistant fabrics, and stainless steel, among other high quality materials. Furthermore, our packaging is made from recycled materials.

Burrow

Burrow

How did you select your color palette? 

Months and months of research into our target demographic yielded our current color palette. While we knew our three core colors – Crushed Gravel (light gray), Charcoal (dark gray) and Beige – would satisfy the light, neutral tastes of the majority of our customers and be the foundation for individual stylizing with accent pillows and throws, we wanted to also serve our more inventive and edgy customer segments. That’s why we rolled out our Navy Blue and Brick Red colorways when we launched on April 4th.

Burrow

Burrow

Which styles and colors are your best sellers?

Our low-arm Crushed Gravel 3-seater is far and away our most popular offering, followed by the high-arm version of the same size and color, and then the low and high-arm versions of the Charcoal 3-seater. One of the greatest features of the Burrow sofa is the modularity. If our customers buy a three seater today, they can always order an additional module down the road and upsize to a four-seater without having to buy a whole new sofa. And, if they need to clear some floor space for a family gathering or other event, they can remove one or two of the modules to make a two- or one-seater. The removed modules can be easily folded up and stored away from the crowd.

Burrow

Burrow

In your opinion, how has the function of the sofa evolved over the years?

Sofas have historically been living room showpieces and were seldom used. Today, people are becoming increasingly efficient with their living arrangements and lifestyles, meaning that the living room, dining room, kitchen, study, and bedroom are merging. People are now sitting, eating, studying, working, Netflix binging, and sleeping on their sofas. People need a sofa that can stand up to that kind of use, while still being both stylish and comfortable. At Burrow, our mission is to give them just that.

Burrow

Burrow

How does Burrow typically work with interior designers?

In the past, we admittedly haven’t done much besides show off our products and help interior designers complete their beautiful designs faster and more affordably. However, after realizing how their talent could add so much to our brand and help our customers even more, we’re beginning to roll out a suite of collaborative partnerships that are win-win-wins for Burrow, interior designers and, most importantly, our customers. Interior designers are encouraged to get in touch with our Partnerships Manager, Alex, at alex@burrow.com to learn about how they can get involved and become part of the Burrow family.

“Interior designers should consider, now more than ever before, things like transportability, flexibility, and affordability. Burrow sofas allows designers to give their clients a premium, stylish product that can move and grow with them without sacrificing a sliver of comfort, quality, or durability.”

What are some key factors an interior designer should consider when searching for a sofa?

The nomadic consumer is becoming more and more prominent in the marketplace today. People are just not settling down like they have in the past. They want to experience new lifestyles, new cities, new cultures. They need products and design elements that allow them to do just that – not ones that hold them back. Interior designers should consider, now more than ever before, things like transportability, flexibility, and affordability. Burrow sofas allows designers to give their clients a premium, stylish product that can move and grow with them without sacrificing a sliver of comfort, quality, or durability. Also, people are using their sofas for just about every activity of their lives – eating, working, sleeping – and need a product that can withstand that level of multi-use. Burrow’s focus on craftsmanship and our integration of naturally stain-resistant fabrics make our sofas the ideal choice.

Burrow

Burrow

What’s next for Burrow?

Our ultimate vision has been to provide our customers with their entire living rooms, shipped directly to them in less than a week and set up in less than an hour, while stretching the boundaries at the peak of convenience, quality, style, and comfort. By continuing to pursue an aggressive product roadmap, that vision isn’t too far away, and we are so excited to bring it to fruition.

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How Interior Designers Like to Set Their Summer Tables

 

The sun is up, the sky is blue, and summer is well on its way! As a creative-spirit who focuses very much on the little things, no family BBQ or friendly gathering would be complete without a beautiful table setting. From red, white & blue accents that don’t make you cringe to woven placemats and table runners, there are many creative ways to design your summer tablescapes. Here’s a list of interior designer-approved table settings to easily impress your summer guests.


Mix and Match

One Kings Lane

Photo via One Kings Lane

MIGUEL FLORES-VIANNA via domino

Photo by Miguel Flores-Vianna via domino

Patriotic (that’s not cheesy)

Photo by Jessica Alexander, Design and Styling by Margo & Me via My Domaine

Photo by Jessica Alexander, Design and Styling by Margo & Me via My Domaine

Minimal

ALANNA HALE via HouseBeautiful

Photo by Alanna Hale via HouseBeautiful

Jenni Kayne, Elissa Goodman and Alessandro Giannetti

Photo via Rip & Tan

Tropical Paradise

ALBERTO BARTOLOMEI_HouseBeautiful

Photo by Alberto Bartolomei via HouseBeautiful

Photo by Max Wagner, Florals by Moon Canyon

Photo by Max Wagner, Florals by Moon Canyon

Woven Placemats and Accents

Kate Robinson via House of Harper

Photo by Kate Robinson via House of Harper

Mary Costa Photography via Crate and Barrell

Mary Costa Photography via Crate and Barrel

Seasonal Produce

Photo via Rip and Tan

Photo via Rip and Tan

Brittany Wood via Rip and Tan

Photo by Brittany Wood via Rip and Tan

OD on Florals

 Photo by Mary Costa Photography, Designed by Leah Bergman of Freutcake and Anthropologie, Florals by Emblem Flowers


Photo by Mary Costa Photography, Designed by Leah Bergman of Freutcake and Anthropologie, Florals by Emblem Flowers

NICOLE LAMOTTE via HouseBeautiful

Photo by Nicole Lamotte via HouseBeautiful

By the Sea

Photo via Rip and Tan

Photo via Rip and Tan

Architectural Digest_Genevieve Garruppo

Photographed by Genevieve Garruppo via Architectural DigestDesigned by Sasha Bikoff

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Creating Sensory Experiences for Homewares With elahbee

 

Elah Barshi, illustrator and designer of elahbee, is a free-spirited artist from the Dominican Republic currently building her print-based brand in sunny Tel Aviv. Having grown up on the beautiful beaches of the DR waking up to island sunshine each day is clear in her artistry, using bright tropical colors with botanical vibes.

After studying design at OCAD University in Toronto and working in various sectors of the art, fashion and graphic design world, she now finds herself on the shores of the Mediterranean creating watercolor illustrations, silk-screen prints and intuitive sketches. Here, Elah shares her tropical sources of inspiration, the design scene in Tel Aviv, and tips of best practices for how to choose the right artwork for a space.


Elah – how did you get where you are today?

I’ve had an artistic inclination for as long as I can remember.  Thanks to my parents, I had the support and encouragement to pursue this creative appetite from a very young age, and partook in after school art classes starting in elementary school and, including summer classes at Parsons in Paris.

After completing high school in the Dominican Republic where I grew up, I moved to Toronto to study advertising design at OCAD University. During my last year of University, I began working at a contemporary art gallery which opened my eyes for the first time to this field. I instantly became enthralled by this world, and after graduation, I moved to Tel Aviv where I became involved with the local art scene.

After spending three years as the assistant to the Business Director and the Curatorial Director at one of Israel’s most prominent contemporary art collection, I decided to pursue my own artistic career in design.

About a year ago, I embarked on a travel expedition to Hong Kong, Vietnam, Dominican Republic and New York, collecting ideas and inspirations that led to the realization of elahbee – a brand based on my illustrations and deeply rooted in the essence of the Dominican Republic.

elahbee

Photographed by Bianca Garimani in Natura Cabana Boutique Hotel & Spa, Dominican Republic

 

How do you use the Dominican Republic as a source of inspiration?

The Dominican Republic has always been my greatest source of inspiration and I feel very fortunate to have grown up in a tropical paradise. Even when completing my Undergraduate thesis in advertising, I created a (hypothetical) campaign for the Dominican Republic tourism board focusing on the smiles, the music, and the Caribbean rhythm that makes the island unique. I continue drawing on these qualities for inspiration in my designs today. Having had a childhood surrounded by nature, the ocean, the warmth of the year round sunshine and the island’s people is evident in the sense of freedom in the line and form in my work, the bright tropical colors, and the underlying botanical theme that defines my first collection.

 

What’s the design scene like in Tel Aviv?

I love the design scene in Tel Aviv. It is constantly stimulating, innovative, inspiring, and always seems to be in development. It feels like there is a constant “push” forward and breaking of boundaries to stay relevant and cutting edge in the design industry. The city is saturated with talent, and there are many fairs, events, sales and even start-ups that cultivate this energy and encourage the pursuit of creative careers.

 

The juxtaposition between what I’ve learned and am continuously learning from my colleagues in Israel and my roots in the Dominican Republic is what sets my work apart.

“Creating this complete sensory experience where one can be physically engaged is what inspires me the most.”

elahbee

Photographed by Bianca Garimani in the Beeney Residence, Dominican Republic

 

You create artwork via watercolor illustrations, silk-screen printing, and intuitive sketches. Do you have a preference?

I am currently focusing on silk screening textiles for homewares such as pillows, utilizing a technique that allows for a “painterly feel” yet still has certain finesse.

My goal is to create pieces that are dynamic and feel alive, and by utilizing textile as a canvas, I am able to transform a two dimensional element that is fabric into a three dimension object such as pillow or a seat. Creating this complete sensory experience where one can be physically engaged is what inspires me the most.

 

What’s your creative process like, from idea to print? 

I often draw sketches before I work on a ‘final’ copy, but I feel that my best work happens when I go straight for the ‘final’ piece and allow my intuition to take over. Once I start, I never know how it will end. Although I am not always satisfied with the results, it is a very liberating process, and sometimes leads to the next project that might be “it”.

elahbee

Photographed by Bianca Garimani in the Beeney Residence, Dominican Republic

 

Based on your knowledge of the industry, how has technology changed the way artists and designers do business?

I think technology has made art and design very accessible to the public, and in turn, allowed for designers to share and expose their work to the market quickly. Trends pick up at a faster rate, and professionals and editors are turning to channels such as Instagram to discover young talent.

Also, the smart phone has allowed for designers to capture a lot of their own photography. There are many tools and applications to facilitate the business aspect of design and even some of the creative, allowing for many things to be made in-house, thus minimizing costs.

 

In your opinion, how important is social media to the growth of your business?

Social media is essential for the growth of my business, especially because I am working in an industry that is visually stimulating. I think consumers want to know how an artwork will look in their home and they want to understand and relate to the designers and artists that are behind the creations. Ultimately, the consumer wants to feel the authenticity behind a product; the way it was made, and who it was made by.

Social media removes a barrier; it creates a sort of transparency and is another tool that allows me to share my story, personal brand, and engage directly with existing and potential customers.

elahbee

Photographed by Bianca Garimani in the Beeney Residence, Dominican Republic

 

What are some of your best-selling pieces? 

The best-selling pieces have been the hand-printed pillows. The multi-colored pillows start off as an off white piece of natural fabric, are printed by hand, and are sewn with love and care to create a truly one of a kind piece.

 

How do you typically work with interior designers?

I have worked with interior designers to create custom pieces for living spaces. It is a really exciting process of collaboration. I love the exchange of ideas and seeing how my pieces fit and align within another person’s vision.

elahbee

Photographed by Bianca Garimani in the Beeney Residence, Dominican Republic

 

What are 3 tips of “best practices” you can offer interior designers for choosing the right artwork for a space?

1. Choose an artwork that your client truly connects with and makes the spectator genuinely feel something. In addition to fitting within the space, I try to make sure that it fits the person (or persons) who will be living with it.

2. Consider how the artwork can act as a bridge between the outdoor and indoor space. I believe the artwork inside a space should have a dialogue with the world outside its built walls. For example, if I am choosing an artwork for a private beach residence in the Dominican Republic, I would chose an artwork that connects in color, form, or content to the natural elements such as plants and flowers that surround it.

 

3. Know how the medium of an artwork will react within the space over time and what is the best placement of the artwork from a preservation standpoint. I think this one is sometimes easy to overlook, but is extremely important for the conservation of an artwork. For example, when choosing the placement of a photograph, I would make sure that it is not in a place that receives hours of direct sunlight as this can cause fading over time.

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